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CONFIDENTIAL CREATIVE PORTFOLIO — ACCESS BY INVITATION ONLY

This portfolio contains proprietary advertising campaigns, creative concepts, strategic frameworks, copy, art direction, and visual executions developed by Dusan Rula and Fashion Labs, LLC (Brooklyn, New York, USA). Access is granted solely to prospective clients, employers, and verified industry professionals for the limited purpose of evaluating creative capabilities for potential engagement.

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Award-winning campaign for the English market.
We created a new media. Existing behaviors did the rest.
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JETBLUE AIRWAYS

The best onboard entertainment in class.
People actually watch the safety video now. CD: Jorge Murillo. Account Planning: Mary Keel, Andre Gordon. Art Direction: Ivan Henao. Copy: Dusan Rula.
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There was no WiFi on airplanes. That's how long I've been in this game.
American did it first. We capitalized on it.
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[Ford × JWT Detroit] Launch Ford Flex.
Account Planning: Jerrod New, Dusan Rula. Creative Supervision: Jorge Murillo.
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bandaid
bandaidbrief
bandaidpark
bandaidbox
bandaidbag
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bandaidbox
J&J wanted to sell more bandages.
It stirred emotions. Ask me in person.
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trojan
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"Protect your score."
"People drink way more beer since we installed these." Ask me in person. Creative Supervision: Cesar Santos, for R/GA Digital. Art Direction: Luis Dominguez. Concept and Copy: Dusan Rula and Fabian Reutch.
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bandaid
bandaidbrief
Modern ways aren't coincidental. They stir emotions and bring gains to stakeholders.
The original campaign was already controversial. But we continued while making this portfolio, for the pure virality of it. We didn't include the Banned Aid piece. Ask me in person.
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weightwatchers
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Weight Watchers, Mid-West housewives,
who jokingly believe only witchcraft can make them lose weight. Teaser. CD: Amy Heller.
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Weight Watchers — the follow-up.
The first and the last ads didn't run. But they get you to think. CD: Amy Heller.
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Small budget. Small market.
[Dogma Girls] Teaser and billboards
...deciding which is more tempting, ribs or firemen. You can fake serious, but you can't fake witty. CD: Carlos Vasquez.
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dogmafresh1
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People worry street food isn't fresh.
So we made it fresh enough to run away. All escape attempts were staged. Every runaway ingredient was safely caught and served. CD: Carlos Vasquez.
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nynapkin
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BBQ shows up. Conversation stops.
Napkins that talk, so you don't have to. Postable. TikTok-ready. CD: Carlos Vasquez.
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They trust their phone.
So we put tasty BBQ on it. Want this for your brand? dusan.rula@gmail.com
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mangadogma01
Vito from Brooklyn was the King of Delis in Bensonhurst until a rival family framed him for stealing the Sacred Gravy Recipe. Now he's hiding in plain sight as the night grill-master at Dogma Grill — and the Franchetti's have sent their hitman, a soulless health inspector called The Pale Rider, to shut him down.
Weekly manga poster. Scan the QR. Read his escape. In this issue, a secret sauce code for a free Brooklyn-style onion sauce that hits different. (good, you're reading!) A piece of New York availiable only if you utter a set of words at the counter inside. Targeting Gen Z with the "hidden gem" play.
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Nerd into a Baller.
Gen Z builds everything — so we made ordering the show. Dads +35 eat every letter.
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Sometimes congruency is not the way to go.
Curiosity is. Bar posters that grab you a few milliseconds before you order.
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Jim Beam.
"Whiskeys" with an "s". A headline designed to start bar conversations.
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VESPA — the joy of the journey.
Three ads, targeting: females, males, and marketing people. CD: Amy Heller.
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Guerrilla for the Italians to spread in America.
Good installations share locations. Try it first person — then own it. CD: Amy Heller.
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HEDONISM II Adult Resort.


The only resort where "no rules" is the rule. Sold out every season. Waiting list included. No, I can't put you on it.
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Party brands don't need congruent strategy.
They need attention. Taste curiosity follows.
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Aprilia and a smile.
Sometimes one-offs turn light bulbs on. Print built on desire.
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Radio for kids. Belgrade era.
Praise, laughs — the works. Did it ever air? Let me know.
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A greetings card for Banini. Belgrade era.
Product inside the message. Simple ideas travel far.
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My voicemail has magical properties.
It birthed an agency website. Idea + AI + a spare creative director. Want more? dusan.rula@gmail.com
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Selling Ice to Eskimos, at Scale

A Case Study in Strategic Planning · Dusan Rula · Brooklyn, NY.

Most people treat "selling ice to Eskimos" as a metaphor. I treated it as a brief.

It took some time of on-and-off research.

Please note, I didn't make the expression up. It was there. I just picked it up, and solved it.
Here's how — and what it means to how I approach your brand.

And it's not "Selling Ice to Eskimos." It's "selling ice to indigenous peoples of the Arctic region, at scale." The respectful term is Inuit in Canada and Greenland, Yupik and Iñupiat in Alaska. I'll use Inuit here — though the campaign would work with local advisors to get naming right.

Ice in the Arctic is salty, white, and everywhere. Selling it to people who have plenty of it is a problem. Not because they're hostile towards foreigners trying to take advantage of them (and who isn't?) — but because there's no reason to buy it.

There are many kinds of ice. Many colors of white. The story goes the Indigenous peoples of that region can tell between the white of this kind and the white of that kind — because the white of this kind means storm or a polar bear, equaling death, and the white of that kind means calm weather, or just a snow hill, which means living another day. Spotting the right distinctions in a timely manner sometimes means survival — kind of like in business — not to worry you. And that's why I'm here — to point out the ice that sells and to whom. After that, almost any advertising creative can have an idea about how to sell it. Before that, fat chance.

Regular ice
Regular ice
Anunique ice
Anunique

One of these crackles, and is 800,000 years old.
The other one is just cold.
Wow, it even rhymes.

See, the Anunique has these bubbles inside of it. They've been trapped there for half a million to a million years — 800,000 on average. They are the trappings of the Earth's ancient atmosphere from that period. And not just CO₂ or O₂ or N₂ — there are other remnants from the ancient forests flourishing around the Earth at that time in there too. It is the actual air the dinosaurs were breathing in. It is a part of that ancient atmosphere, trapped inside the ice.

It's also under enormous pressure. So when that ice melts — say, in your whiskey glass — it crackles, loudly. Depending on the size of the bubble, that pop can hit up to 89 decibels.

So now imagine the parallel. These Arctic peoples barely had their own freedom. Usually others were trying to subjugate them rather than liberate.
They are not big talkers. They are survivors. For generations. For millennia.

They were carrying the pressures of the outside world inside.
Kind of like Anunique ice. They want to crackle.
With a glass of whiskey, perhaps. After a long day of work.
Staring at their favorite fireplace.

Didn't that just break the ice?
If you're a creative, are campaigns already forming in your mind?
Go back to panel 1. Think about what you thought then: selling ice to Eskimos—how ridiculously impossible that sounded.
That's probably changed now, hasn't it? The new angle completes the picture. The data was always there; the information wasn't.
But I digress. Let's return to the creative solution.

In terms of media and trends, is Anunique Ice possibly lending itself well to an ASMR audio/video campaign — that is pleasing to chilling, while reading or sleeping or something along those lines? Two hours of crackling. Each crackle releasing a million years of pressures. To stretch it even further (and i don't know if ice allows for stretching - what do you think?) I wonder how many people would log in to a live video stream, from Anthartica, that features some thin resonating cristal glasses and some ultra high end mic-eage? Tests would know, of course. The breifs are 'living breathing creatures' always open to good input, or at least they should be when done correctly. The brand might be so lux that even such live streams might work. Strategists job is to have this options and test them. So we know what's up. In any case, ASMR as a trend? Anyone? ASMR? No?

And as for the smell of the ancient atmosphere from before any human ever walked the Earth? That whiff ain't gonna be cheap, so get used to just hearing it pop through your computer or your phone — instead of tasting it from your glass. And in addition, just as a curiosity, Anunique is a freshwater ice. It's fresh and tasty. It is also very clean - purified by the colds and the pressures for thousands of years.

Then there's ASMR. Ice crackling is already a known trigger. Anunique has it built in—each crackle releasing a million years of pressure. The sound isn't the question. The audience is.

Will ice-crackling ASMR get Inuit to buy Anunique? On its own, probably not. For Inuit, ice isn't exotic. The crackle isn't a novelty. It's the sound of home. ASMR sells the unfamiliar to people far away.

That doesn't kill the idea. It clarifies it. If Anunique is positioned as a luxury export, ASMR fits: a live stream, crystal glasses, high-end mics, two hours of crackling. If it's positioned as a local celebration item, ASMR is the wrong channel. The same sound can read more lux or less. Position decides.

ASMR as a trend? Sure. But trends don't sell to everyone. They sell to the audience already listening.

If you're looking to pick a role in advertising, Creative Strategists' ability to find the "impossible" angle is the primary job requirement. Finding the strategic angle is what makes the work worth doing in the first place — for the whole agency, not just you.

To complaicate further, great creatives and great strategists usually don’t live in the same body. When they do, it isn’t magic. It's many different guiding experiences, and it’s self-awareness: knowing how you think, what you accept, when and how to switch hats, and when to shut up and listen. That’s the of lifelong training. What was that written on Apollo's temple in Delphi or someplace in Luxor: "Know thy...". What was it? In any case, the angle is just the output. The creative team does the heavy lifting. My job is to make sure they’re lifting the right thing.

Ok, ok, others add some value to it too. Ok. But just a little bit.

In terms of positioning — I didn't do profitability tests, because that's more a function of business than advertising. We're doing advertising here. So the most profitable position for such an endeavor might not be the top-shelf, high-end thing. It could be the Inuit workers celebrating their children's birth. Or a wedding. In that case the product, positioned in such a way, sounds almost like it can become a mandatory thing for the top celebrations in the Arctic. This has to come from within the brand, because, see, this ice is minned in Anthartica. It has to travel around the Earth to get to your celebration. From one white corner to the other. One polarity to another. That is what additionlly gives it it's edge. Along with the power of correct positioning, of course. In my opinion, in this age and With some work, it can enter the area of customs, if not wider then perhaps some sporadic family traditons. Families of cool kids? It can become kind of like a ballin' thing we have in the West, or like a bottle of some formula alcohol buried for 20, 30, 100 years, preserved for an offspring's wedding day; that we have in the East. If nothing, now it has a story that packs a punch. Small print: the company probably must be prominetly locally owned, to avoid getting a bad rep. ANd in addition, It would be super hard to go through the rules and regulations that they have in Antarctica, about ice exploitation. Which makes it kind of snuff too. And most likely you would need to speak Russian in order to pull it off on the bussiness side. And now that that's out of the way...

This is how I work. I take the brief and research until I find the angle. Not every brief is "sell ice to the Arctic." But every brief has an angle that makes the work worth doing — for the client, for the agency, for the audience. That's what I find. If you have a brief that needs that bit of an extra that sparks, or if you need a new brief all together, with executions for almost any audience imaginable - or without, talk to me. Our prices are wildly affordable.

— Dusan Rula

Just a side note. At one point, Crispin started hiring anthropologists to do market research. They came back with some weird shi7 about humans and businesses. It made CP+B the most creative advertising agency on Earth 4 years in a row. (Obviously only one among other things; but if I had to pick one thing why, and it's never only a one thing... it would be, 'out of the box inputs they received through hiring'.)

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© 2026 Dusan Rula. All rights reserved.

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Dusan Rula · Brooklyn · 2026

Words by Dusan Rula, Brooklyn, NY. Written 2026. Contact: dusan.rula@gmail.com
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Hello there. I am Dusan Rula.
Thank you for visiting.
New hairstyle, only on LinkedIn — logo, upper left. Business: dusan.rula@gmail.com · +1 (646) 926-3695 · +381 62 101 1314 (Viber)
Enjoy thinking about the good stuff.
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